Toshi Ichiyanagi – Computer Space (1961-71) CD

16,00

Description

Edition Omega Point, Japan

“There is a piece called “Music for Living Space” (1969), which recreated human spoken words. It is an electronic music piece that Ichiyanagi produced almost solely with a computer. Computer Space is created in the same era, therefore it was impossible to create a complexed sound. However, echoes and rapid pitch changes are heard in the middle of the recording (there is also voice like sounds intermixed). Since similar phrases are repeating, it is considered that he created various short phrases to edit on an analogue tape then bind them together.

Sound materials for Metastasis (1971)
It is considered as sound material for a short film by an experimental filmmaker, Toshio Matsumoto. The discovered sound material is only 30 seconds long, which contains two different electronics sounds. The (b) sound repeats more often as a part of minimalistic pattern to create a work of about 10 minutes. Using a fade-in/fade-out arrangement made me think it might have some special intention?

(title and year unknown)
These works archived in Sogetsu Foundation contain electronic sounds which are considered to be created by changing tones of real bird tweets. The sound repeats itself in a straightforward manner, while changing its foam somewhat. Originally, there are many pieces that last for 1 or 2 minutes. For this CD, some of them were strung together. A piece using parts of popular music that was created for Expo’70 Takara Beautilion contains similar sounds to that. Ichiyanagi also contributed another ambient music composition played on another floor of the building, however it is not included to this CD, according to the artist.

For String #2 + Stanzas (Both in 1961, Simultaneous performance)
This piece is the music used in the film however it is originally a recording of a public performance at Sogetsu Art Center and edited to a few minutes shorter. The original sound material was included in an accompanying single of a book, Yabunirami-No-Concert, which Yoji Kuri self-published in 1966 before he created an animation. This book contains 10 pages of a series of ink drawings, which is completely different from Tragedy on G string. This CD has a reissued version of the original sound material. The time could be between 1961 and 1964 when Ono was in Japan. It is considered that Kenji Kobayashi was on Violin and Ichiyanagi was on Piano in an internal rendition style were together with Yoko Ono on vocal.